HAṢĪRA: A Final Gathering in Sydney

For the 25th Biennale of Sydney, DAAR has been collaborating with Think+DO Tank Foundation on HAṢĪRA, a series of gatherings in Sydney.

The ḥaṣīra, a simple and readily available woven mat, has provided a shared surface on which different people have come together to speak, listen, remember, and imagine possible forms of action. Over the past months, these gatherings have opened conversations around home, displacement, colonial legacies, memory, return, and the fragile but necessary work of being together. They have also created a space where multilingual conversations, personal stories, and collective reflections could become the beginning of future relations.

We are now approaching the final gathering of this chapter, which will take place on Saturday 20 June 2026 in Fairfield. This last open gathering will reflect on what has emerged so far, what remains unresolved, and how the conversations carried by HAṢĪRA might continue beyond the Biennale.

The previous gatherings have been documented by Think+DO Tank Foundation and can be revisited here through photos and video

HAṢĪRA Final Gathering
Saturday 20 June 2026
10.45am for 11.00am start, until 3.00pm
TDTF Community House
2/40 Harris Street, Fairfield, Sydney

For more information and registration

DAAR Awarded the Kyong Park Prize for Art and Architecture

Entity of Decolonization: Ashes – at Borgo EX, Carlentini (SR) Sicily 2025 – Video still Valentina Manzoni

At a time when the ground beneath our feet is being erased, we continue to create occasions to meet, gather, and sustain the struggle against the normalization of colonial violence. Join us in Sicily during the last week of June for the inaugural Kyong Park Prize for Art and Architecture, held during the Annual Gathering of the Entity of Decolonization at Borgo Rizza.

more info:

storefront

e-flux 

“we refuse_d” at the Museum of Contemporary Art Antwerp

⁠‘we refuse_d’ brings together fifteen artists to explore the tensions between refusal, endurance, and creation. The exhibition responds to an escalating wave of cancellations, censorship, silencing, and public vilification directed at artists, writers, musicians, and scholars who have taken clear and often courageous stances on war, conflict, and injustice.⁠

‘we refuse_d’ evokes the spirit of the Salon des Refusés, a historical exhibition (1863, Paris) that gave visibility to marginal voices. The title also resonates with Hannah Arendt’s 1943 seminal essay ‘We Refugees’, asserting the shared, situated absurdity and fragile optimism born from displacement, trauma, and exile.⁠

‘we refuse_d’ is produced by Mathaf: Arab Museum of Modern Art, Doha, on the occasion of their 15th anniversary, and presented in partnership with M HKA.⁠ ⁠

Artists: Jumana Manna, Barış Doğrusöz, Nour Shantout, Samia Halaby, Emily Jacir, Taysir Batniji, yasmine eid-sabbagh (with Tabara Korka Ndiaye and Ndeye Debo Seck), Khalil Rabah, Oraib Toukan, DAAR (Sandi Hilal, Alessandro Petti), Abdul Hay Mosallam Zarara, Majd Abdelhamid, Dima Srouji, Suha Shoman, and Walid Raad (with Pierre Huyghebaert).⁠

Curated by Nadia Radwan and Vasıf Kortun.⁠

https://www.muhka.be/en/exhibitions/we-refuse_d/

Haṣīra (حصیرة) at biennale of Sydney

Haṣīra (حصیرة): Framing and Unframing

Drawn from the Arabic word haṣīra (حصیرة), meaning a portable, adaptable woven mat the haṣīra is able to turn any ground into a place for sitting, meeting, hosting, mourning, celebrating, striking, and gathering. Its root ح-ص-ر (h-ṣ-r) means to frame, to enclose, to define limits. In Palestine and across the Arab world, the haṣīra frames territory, creates a room without walls, and declares: Here we host. Here we belong for as long as we are here.

To frame is to make a space, to lay the haṣīra (حصیرة) and call others in. To unframe is to refuse the limits imposed on where, how, and why we gather. Each time the haṣīra (حصیرة) is unrolled, it becomes as concrete as the ground it rests on. Light enough to carry under one arm, it adapts to each terrain, moves freely, and transforms spaces without waiting for permission. This adaptability is not just practical, it is political allowing gatherings to unfold in places where formal architecture is absent or denied.

As part of the collaboration with Think+DO Tank Foundation, the program will see 4 formal sessions where participants will gather on haṣīra laid on public space on unceded Aboriginal Land, where people of different geographies speak to one another through facilitated discussion and where grief, refusal, joy, and co-struggle can be shared.

DAAR – Sandi Hilal and Alessandro Petti: Commissioned by the Biennale of Sydney and Rubaiya Qatar, Qatar Museums Authority with generous support from Alserkal Arts Foundation.


Photos by Benjamin Tiger La / My Tiger Productions

Seminar: Learning Through Displacement – Pedagogies for the Colonial Present

UCL The Bartlett School of Architecture in London
09 Feb 2026, 18:30 – 20:00
Christopher Ingold Auditorium (XLG2)
22 Gordon Street, London

BOOK NOW

What if a school begins where displacement gathers?

In this seminar, DAAR (Decolonizing Architecture Art Research) founders, Sandi Hilal and Alessandro Petti, explore how practices of collective learning become forms of re-existence – pedagogical and political – in the face of genocide and erasure.

Over two decades of work across sites of exile and control, DAAR’s long-term projects are shaped by displacement and collective knowledge: the UNRWA Girls’ School (Shu’fat) refugee camp in Jerusalem and Campus in Camps (Dheisheh) refugee camp in Bethlehem, which continues to resist disappearance; a travelling Tree School rooted in shared shade; and the Decolonizing Architecture Advanced Studies programme (DAAS) unfolding between Sharjah, Cairo and Stockholm.

Together, they reveal how learning does not emerge despite displacement but through it, carried by those who gather, reflect and act amid uncertainty. Pedagogy and architecture merge as shared acts of grounding, holding and refusing disappearance.

At a time when entire communities are targeted for elimination, learning environments can become places where forms of re-existence are rehearsed and sustained. They become spaces where learning is inseparable from political commitment, where pedagogy becomes a ground for refusing erasure, and where architecture is reclaimed as an ethical and situated practice.

With responses from Lobna Al-Sana and chaired by Mohamad Hafeda.

This event is part of the flagship CRUNCH Series at the Bartlett School of Architecture.

More

 

 

 

DAAS in Sharjah-Cairo

Are you an artist, architect, curator, or cultural practitioner seeking a critical and convivial space for collective learning? Join DAAS in Sharjah-Cairo, an advanced research and educational programme initiated by DAAR –  Sandi Hilal and Alessandro Petti – in collaboration with the Sharjah Architecture Triennial (SAT). The programme is radically structured around participants’ own practices, offering a critical and convivial space for collective learning and reflection on questions rooted in context.

The programme unfolds throughout the year through three in-person sessions in March 2026, September 2026, and March 2027, sustained in between by online one-to-one and group conversations. Two of the sessions will take place in Cairo hosted by Ard International, while the third will be a public one-week gathering in Sharjah. The Sharjah gathering brings together participants from all DAAS cohorts, advisory board members, and friends of the programme.

📍Taking place in Cairo and Sharjah
📅 Programme dates: March 2026 – March 2027
📝 Deadline to apply: January 30, 2026

Two introductory sessions about the scope and structure of DAAS in Sharjah–Cairo will be held in January:
January 16: in-person session in Cairo
January 20: online session

During these sessions, interested participants can ask questions and seek clarification. Optional individual online meetings will also be available afterward.

The DAAS Advisory Board is constituted by Hoor Al Qasimi, Salah M. Hassan, Walter Mignolo, May Al-Dabbagh, Shahram Khosravi, Zoe Butt, and Charles Esche.

HOW TO APPLY

DAAS in Sharjah: Site in Conversations

At a historical moment marked by colonial destruction and fragmentation, ‘DAAS in Sharjah’ cultivates communities grounded in affect and knowledge. The DAAS Public Programme brings together participants, guests, and the broader community for a week of collective conversations across Sharjah. From art and architecture to curatorial practices, hybrid identities, memory, resistance, and land, each session unfolds as a dialogue shaped by lived experiences and research. Through readings, discussions, and shared meals, the programme explores how sites, whether a camp, a city, a rooftop, or a piece of fabric, become methods of learning, resisting, and reimagining. The week culminates in open exchanges and a reflection on the art of conversation as both method and practice.

27- 28 – 29 OCTOBER

Conversations hosted by Mona El Mousfy, Shaden Almutlaq, Olfa Farhat, Zaynab Kriouech, Ida Bencke, Zarmeene Shah, Nadia Asfour, and Nihal Halimeh

 1 NOVEMBER

Conversations hosted by May Al-Dabbagh, Zoe Butt, Charles Esche, and Shahram Khosravi

2 NOVEMBER

DAAS and the Art of Conversation hosted by DAAR

full program and registration

𝐓𝐡𝐞 𝐫𝐢𝐠𝐡𝐭 𝐭𝐨 𝐇𝐨𝐬𝐭: 𝐂𝐨𝐦𝐦𝐨𝐧𝐢𝐧𝐠 𝐭𝐡𝐞 𝐏𝐫𝐢𝐯𝐚𝐭𝐞

𝐓𝐡𝐞 𝐫𝐢𝐠𝐡𝐭 𝐭𝐨 𝐇𝐨𝐬𝐭: 𝐂𝐨𝐦𝐦𝐨𝐧𝐢𝐧𝐠 𝐭𝐡𝐞 𝐏𝐫𝐢𝐯𝐚𝐭𝐞
𝐒𝐭𝐚𝐯𝐬𝐧ä𝐬, 𝐒𝐭𝐨𝐜𝐤𝐡𝐨𝐥𝐦 𝐀𝐫𝐜𝐡𝐢𝐩𝐞𝐥𝐚𝐠𝐨
𝐀𝐮𝐠𝐮𝐬𝐭 𝟑𝟎-𝟑𝟏
Who has the right to host? Who is permitted to claim space, to bring others together, to hold complexity, grief, joy, and struggle in shared form? Who is allowed to dwell, to belong? And under what conditions?
At a time of escalating violence, genocide, and starvation in Gaza, and amid deepening global asymmetries of care, grief, and dispossession, we return to the concept of hosting as a political practice. Hosting is not merely a cultural or personal gesture of welcoming, but a claim to hold space, to make visible, to claim agency, and to insist on the right to presence and collective reflection. To host is to interrupt erasure, to assert forms of belonging that challenge dominant narratives of exclusion, and to reimagine space as shared, contested, and negotiated.
This two-day public program takes place within the rural landscape of Stavsnäs in the Stockholm Archipelago, but it does not remain there. The rural is approached as a lens—a situated space from which to examine broader structures of exclusion and belonging. In Scandinavia, such landscapes are often framed as spaces of purity and retreat, where leisure and care seem like natural rights. Yet they also expose the social, racial, and economic boundaries that govern access to land, rest, time, and the right to host.
This gathering explores the right to host as a framework for rethinking collective responsibility, cultural infrastructure, and the politics of care. Through conversations, situated reflections, and collective inquiry, we will explore how self-care is shaped by neoliberal and racialized contexts; how infrastructures of commoning might redistribute resources and enable new forms of access; and how hosting can function as a radical political tool, not simply a gesture of generosity. Together, we will reflect on how these concepts are made available—or withheld—across different communities and positionalities.
𝐏𝐫𝐨𝐠𝐫𝐚𝐦
𝐒𝐚𝐭𝐮𝐫𝐝𝐚𝐲, 𝟑𝟎 𝐀𝐮𝐠𝐮𝐬𝐭
12:00 – 12:45 Brunch
12:45 – 13:00 Gathering & Opening
13:00 – 14:00 Sandi Hilal — Self-Determination as Collective Practice
14:15 – 15:15 Aziza Harmel & Reyhaneh Mirjahani — The Uninvited Host
15:15 – 16:00 Coffee Break
16:00 – 17:00 Cassie Thornton & Ida Bencke — TBC
17:00 – 18:00 Judith Wielander & Matteo Lucchetti — Visible: Art as Policies for Care (2010—ongoing) — Book Launch & Discussion
18:00 – 20:00 Dinner & Cooking Around the Fire
𝐒𝐮𝐧𝐝𝐚𝐲, 𝟑𝟏 𝐀𝐮𝐠𝐮𝐬𝐭
12:30 – 18:00 Cooking & Conversation Around the Fire
📍𝐋𝐨𝐜𝐚𝐭𝐢𝐨𝐧: Storskogsvägen 19, 139 71 Stavsnäs
Access via bus from Slussen — 5 min walk from the bus stop
No registration is needed and it’s a free event. Food is provided, just bring your drink if you wish for.
————————————
The program is co-curated by DAAR, Hosting Lands (Dea Antonsen, Ida Bencke and Aziza Harmel), and Reyhaneh Mirjahani. It is supported by Nordisk Kulturfond, Bikubenfonden and the research project Oikos – Climate and Care in the 21st century, University of Copenhagen.
The event takes place at The Summer House in Stavsnäs in the Stockholm Archipelago, an initiative by DAAR (Decolonizing Architecture Art Research) whose story begins far from the forested islands of Sweden. It is shaped by years of living and working in Palestine and by a project in the northern Swedish town of Boden, commissioned by the Swedish Public Art Agency, which transformed a room in a refugee housing facility into Al Madhafah—a living room where refugees could reclaim the right to host rather than remain eternal guests. When that space was abruptly taken back by authorities, DAAR responded by transforming a site of leisure and exclusion, a private summer house, into a shared space of radical hospitality. The Summer House is not simply a building but an ongoing practice of commoning the private, reclaiming the act of hosting as a form of self-determination

Ente di Decolonizzazione APS

During the 4th Entity of Decolonization General Assembly in June 2025—held at the former entity of colonization of the Sicilian latifundium in Borgo Rizza, now renamed Ente di Decolonizzazione in Borgo EX, in the Municipality of Carlentini, Sicily—the cultural association “Ente di Decolonizzazione APS –  Associazione di Promozione Sociale” was established.

The Association, emerging during the genocide in Palestine, is a tool to continue promoting and strengthening decolonial and anti-fascist practices, the critical reuse of fascist colonial architectural heritage, and collective learning, rooted in three main areas: pedagogy, art and architecture, and commoning.

Those who take part in the Association—as members, participants, or collaborating institutions—share and uphold the following principles:

  • They recognize the need to question the persistence of languages and practices rooted in fascism, colonialism, and racism.

  • They acknowledge that every individual is a bearer of knowledge, and therefore predetermined hierarchies must be challenged and transformed.

  • They value diversity in all its forms.

  • They commit to building alliances with diverse groups that use social conflict as a starting point for articulating an open, generous, and supportive society.

  • They understand that common use is based on and measured by commitment. Unlike public or private use, common use is activated by the social, economic, and cultural participation of individuals.

  • They propose activities not for profit, explroring forms of commoning.

  • They commit to ensuring the sustainability of projects based on principles of self-organization and reciprocity.

  • They acknowledge that proposed activities aim to move beyond pre-existing and crystallized communities of knowledge or identity, fostering instead the formation of evolving communities.

  • They commit to a continual process of reassessing their practices, with the aim of creating a community that not only challenges the injustices of the present but also reimagines and builds a more just and equitable future.

These shared principles and values guide the Ente di Decolonizzazione Social Promotion Association in welcoming new participants, entities, institutions, and individuals through active engagement.

📧 If you would like to get involved, contribute or learn more about next year’s activities, please write to:
entityofdecolonization@gmail.com

or visit

https://www.instagram.com/entity_of_decolonization/

Borgo EX, Carlentini Munipality (SR), Sicily, June 2025  – Banner made from second hand textiles by Lovisa Giscombe Schmidt and Herman Hjorth Berge