Michael Bears’s comics are poetic maps of DAAR’s networks and origin of projects. Michaels Bears recreated the complex set of formal and informal relations formed around every project. It shows the nomadic and open form of DAAR’s art and architectural production and how its embody or oppose to the surrounding political environment. As for a map, Michael’s drawings are a synthetic view and interpretation of the reality, it is not the reality. Nevertheless they suggests the experimental form of production of DAAR and its human geography formed around every project, faces of architects, artists, researchers, activists, lawyers, colonizers, students, soldiers, politicians, that shaped consciously or unconsciously DAAR spatial interventions and political propositions.